Erica Hawkes nearly went into fashion design, but chose instead to turn her back on the big city in favour of a painter鈥檚 life.

The contemporary landscape artist is known for paintings that create a sense of atmospheric movement above idyllic panoramas. Erica says painting landscapes is her 鈥渢ruest love.鈥�

The artist earned a degree in fashion design, studying in Colorado and Vancouver, but didn鈥檛 want to settle in a large city centre like New York or Toronto where haute couture thrives.

鈥淚 love fashion, but it was more about where you needed to live to be a good fashion designer,鈥� she says. 鈥淚鈥檓 not a big-city girl. I find I鈥檓 more of a smaller city type of person.鈥�

Erica grew up in Prince George, and nature has been a defining part of her life since childhood. She became accustomed to long walks along a gravel road near her home with her family.

鈥淲e weren鈥檛 city mice. We had a lot of northern lights, we had moose and bear; it was just really nice, peaceful and quiet,鈥� she says. 鈥淲e weren鈥檛 allowed to watch TV very much, so I read and I drew. That鈥檚 all I did with my time. I had a lot of time to practice.鈥�

After getting her degree, Erica settled with her husband and two children in West 琉璃神社, where she works in a bright and spacious studio on the lower level of her home. There, she鈥檚 surrounded by works in progress. When she gets bored with a colour scheme or has a certain mix of colours left on her palette, Erica says, she鈥檒l switch to work on a different painting.

鈥淪ometimes I鈥檒l put something aside, maybe I鈥檓 not sure which direction it鈥檚 going. It could sit in my studio for a couple of months looking at me,鈥� she says with a laugh.

Calling herself a 鈥渨orker bee,鈥� Erica often paints 10 to 12 hours a day, finishing about 100 paintings a year.

She estimates that over the past decade she鈥檚 completed about 1,000 works.

鈥淚 think everyone has a gift to create something in some way,鈥� she says.

As a 20-something, her art-with-a-conscience led to a starving-artist phase. She paid her bills with a variety of jobs, working as a nanny, teacher, photographer and book illustrator. Erica kept her hand in the arts, selling portraits of people and their pets.

Eventually, she transitioned into landscapes.

鈥淚 started with this style that I called cubist impressionism鈥攊t was all angles and sharp lines. It was beautiful and it was fun but it wasn鈥檛 all me. It didn鈥檛 feel like it had flow for me.鈥�

Her style has evolved into something she describes as 鈥淣ouveau 7,鈥� inspired by iconic Canadian artists in The Group of Seven, who pushed the boundaries of landscape art. She also blends in elements from the Art Nouveau movement.

鈥淚t permeated the world in the 1900s. It was such a beautiful movement. I don鈥檛 think anything quite matched it for me in my mind,鈥� she says. 鈥淭hey broke from the traditional style. They were the leaders in this impressionistic style. It鈥檚 got colour and movement, but it鈥檚 not perfect and that鈥檚 what I love about it. It has its own voice and it feels fresh and new.鈥�

Many of Erica鈥檚 paintings start as photographs. She melds pictures of scenery with different pictures of skies to make her own images.

鈥淚 take way too many photos. I have a phone full of photos, and my computer is full of photos,鈥� she says. 鈥淚 don鈥檛 have enough space to put my images from my phone onto my computer鈥攖hat鈥檚 how bad it is.鈥�

Over the years, Erica has worked with numerous materials, including graphite, acrylic, water colour, India ink and oil.

Erica notes her style is continuing to evolve. She鈥檚 taken a keen interest in depicting trees through her Nouveau 7 style.

鈥淭rees have personalities and a feel to them,鈥� she says. 鈥淭rees are my challenge. They are the thing I probably will keep learning my whole life.鈥�

She adds: 鈥淚t鈥檚 exciting to get better, but sometimes I鈥檒l look back on something and go, 鈥業 wish I had taken that out.鈥� There鈥檚 always room to improve. That鈥檚 something that is human.鈥�

Erica鈥檚 paintings are showing in seven galleries. In the Okanagan, her works can be seen in Tutt Street Art Gallery in 琉璃神社 and The Lloyd Gallery in Penticton.

鈥淭he tricky part about being a gallery artist is that people will buy what they love specifically, but then if you do something different that鈥檚 maybe outside of the box a little bit, it鈥檚 a harder sell. I鈥檓 walking a fine line trying to figure it out.鈥�

She says, 鈥淭he sunset on the lake is such a popular theme that I can paint it almost from memory now.鈥�

Erica hopes some of her works will become so beloved that they will live on.

鈥淚 hope that my art can survive in someone鈥檚 home for long periods, that it鈥檚 good enough that it becomes part of the family for generations,鈥� she says.

To learn more about the artist, visit .

Story courtesy of , a Black Press Media publication
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