Concert goers were treated to a hot concert this weekend as the presented its Latin Fiesta.
The evening opened with American composer Gabriela 贵谤补苍办鈥檚 Three Latin-American Dances. Coming from a multi-racial background herself (贵谤补苍办鈥檚 mother was Peruvian/Chinese ancestry ad her father was of Lithuanian/Jewish descent) it is no wonder that this piece boasts musical influences from Africa, Argentina and Mexico.
The first movement Jungle Jaunt had driving energy and lots of varied percussion. Kudos to Dominique Bernath for her superb and acrobatic timpani playing. The second movement, Highland Harawi, took us to the misty mountains with lots of special orchestra effects and tasteful use of tubular bells, tam tam and rain stick. The orchestration was compelling with layering of rich orchestral sound, led by the inexorable throbbing of the bass drum and the gradual crescendo into a thunder storm. The final movement The Mestizo Waltz, was scored in the South American folk style, very similar in character to the Mexican Mariachi Band. In spite of the changing rhythm there was a steady pulse throughout, driving to the end.
The next number was Spanish composer Joaquin 搁辞诲谤颈驳辞鈥檚 Concierto Pastorale for flute performed by Canadian flautist, Christie Reside. The first movement, Allegro, bolted out of the starting gate with Reside barely seeming to take a breath. The music flew from her flute, at times bird-like and fluttering, at other times sweeping in great runs and feats of technical prowess. What was remarkable about her interpretation was the speech-like quality of her phrasing 鈥� it sounded as if she were having a lively conversation complete with syntax, but in a musical language whose underlying meaning was clear. The second movement Adagio, was a plaintive serenade, with periodic rhapsodic sections. 搁别蝉颈诲别鈥檚 playing boasted a variety of colour from rich low harmonics to a clean piccolo-like quality of her high tones. Kudos to English Horn player Laura Davis and Clarinet player Erin Fung for their throbbing solos. The third movement Rondo, was a light infectious tune in a rolling 6/8 time, that lilted and danced right to the sparkling ending.
After intermission, the orchestra launched into Mexican composer 闯辞蝉茅 Pablo 惭辞苍肠补测辞鈥檚 piece Huapango. This work boasted a relentless forward motion and sweeping violin lines over rhythmically pulsing brass and woodwind parts. A varied percussion section made this piece interesting and lively. Kudos to trumpet player Audrey Patterson for some fine work.
By now, OSO audiences know to expect the unexpected from Maestra Rosemary Thomson and the next work on the program was no exception. Famed Argentine tango composer Astor 笔颈补锄锄辞濒濒补鈥檚 second movement from his Tres movimentos tanguisticos portenos not only featured lush orchestration and beautifully prepared solos, but also dancers Heather Stranks and Jens Goerner who performed a tango while the orchestra played. This pairing of movement and music brought to the fore the seductive nature of the tango and the experience was a visual as well as an aural treat.
For the finale, Mexican composer Arturo 惭谩谤辩耻别锄鈥檚 顿补苍锄贸苍 No. 2, the OSO was joined by the Okanagan Symphony Youth Orchestra in a 鈥渟颈诲别 by 蝉颈诲别鈥� concert. With the stage groaning beneath 130 musicians, it was amazing that Maestra Thomson 诲颈诲苍鈥檛 have to resort to using an aircraft marshalling wand to keep everyone together. The 70 string players provided an incredibly lush sound and the padded percussion section struck every cue perfectly. The massed orchestra was astonishingly tight in spite of demanding scale passages and complex rhythms. The resulting tidal wave of sound was exhilarating and the audience wasted no time in surging to its feet for a standing ovation.
Thus persuaded, the double orchestra played American composer Leonard 叠别谤苍蝉迟别颈苍鈥檚 鈥淢补尘产辞鈥� from West Side Story. That professional and student performers enjoyed this piece was evident from the energetic swaying and bobbing as they performed the work. Every face was wreathed in smiles as the orchestra took their final bows, then warmly shook hands.
So, if 飞别鈥檙别 having a heat wave, you can blame it on the warm camaraderie and spicy sounds of the Okanagan Symphony 翱谤肠丑别蝉迟谤补鈥檚 sizzling Latin Fiesta Concert for bringing the sultry weather.
Anita Perry is a symphony reviewer living in the Okanagan.
