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Researchers want Hollywood to reflect climate change more often

A majority of films in the climate change era do not frequently acknowledge its existence
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This image released by Amazon Studios shows Chris Pratt in a scene from 鈥淭he Tomorrow War.鈥 (Frank Masi/Amazon Studios via AP)

Aquaman might not mind if the oceans rise, but moviegoers might.

That鈥檚 one of the takeaways from a new study conducted by researchers who set out to determine if today鈥檚 Hollywood blockbusters are . The vast majority of movies failed the 鈥渃limate reality check鈥 proposed by the authors, who surveyed 250 movies from 2013 to 2022.

The test is simple 鈥 the authors looked to see if a movie presented a story in which climate change exists, and whether a character knows it does. One film that passed the test was the in which Jason Momoa鈥檚 Aquaman character says, 鈥淗ey, I don鈥檛 mind if the oceans rise鈥 to Ben Affleck鈥檚 Bruce Wayne.

But most movies fell short 鈥 fewer than 10% of the 250 films passed, and climate change was mentioned in two or more scenes of fewer than 4% of the films. That鈥檚 out of touch with a moviegoing public that wants 鈥渢o see their reality reflected on screen,鈥 said Colby College English professor Matthew Schneider-Mayerson, lead researcher on the study.

鈥淭he top line is just that the vast majority of films, popular films produced over the last 10 years in the United States, are not portraying the world as it is,鈥 Schneider-Mayerson said. 鈥淭hey are portraying a world that is now history or fantasy 鈥 a world in which climate change is not happening.鈥

Researchers at Maine鈥檚 Colby College along with Good Energy, a Los Angeles-based environmental consultancy. The results were peer reviewed, and the authors are seeking publication in scientific journals. The researchers view the test as a way for audience members, writers and filmmakers to evaluate the representation of climate change on screen.

Some results were surprising. Movies that at first glance appear to have little overlap with climate or the environment passed the test. Marriage Story, Noah Baumbach鈥檚 emotive 2019 drama about the collapse of a relationship, passed the test in part because Adam Driver鈥檚 character is described as 鈥渆nergy conscious,鈥 Schneider-Mayerson said.

The 2022 whodunnit Glass Onion and the 2019 folk horror movie Midsommar were others to pass the test. Some that were more explicitly about climate change, such as the 2021 satire Don鈥檛 Look Up, also passed. But San Andreas, a 2015 movie about a West Coast earthquake disaster, and The Meg, a 2018 action movie set in the ocean, did not.

The authors narrowed the selection of movies by excluding films not set on Earth or set before 2006 or after 2100. They found streaming services had a higher percentage of movies that included climate change than the major studios did.

The study is 鈥渧aluable for marketing purposes, informational purposes, data accumulation,鈥 said Harry Winer, director of sustainability at the Kanbar Institute of Film and Television at the New York University Tisch School of the Arts. Winer, who was not involved in the study, said it could also help serve as an incentive to connect audiences with climate stories.

鈥淭he audience will be more open to hearing a dialogue about what is right and what is wrong,鈥 Winer said. 鈥淚t鈥檚 a conversation starter.鈥

The study authors said they see the climate reality check as a kind of Bechdel-Wallace test for climate change. Alison Bechdel, a cartoonist, is credited with popularizing that test in the 1980s by incorporating her friend Liz Wallace鈥檚 test about gender representation in film into a comic strip. The test asks if a movie includes at least two female characters who have a conversation about something other than a man.

Bechdel herself spoke highly of the study鈥檚 climate test, which she described as 鈥渓ong overdue鈥 during this year鈥檚 Academy Awards season. Bechdel said in an e-mail to The Associated Press that 鈥渇or a movie set in the present to ignore this existential threat just doesn鈥檛 make sense anymore鈥 in the age of climate change.

鈥淚 do worry that screenwriters might do it in a kind of rote way, which could be counterproductive, just like rote 鈥榮trong female characters鈥 are,鈥 Bechdel said. 鈥淏ut injecting an awareness of our communal plight into the stories we ingest seems like a no-brainer.鈥

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